· It is important to complete the
script before beginning the storyboard, however because our storyboard is based
on a song, the script is already created, meaning the storyboard can be started
immediately based on each section of the song.
· The storyboard is comprised of
square boxes in which the contents of the scene is drawn in the box with space
underneath to fill in action, dialogue or notes.
·
The first box should establish
the scene and location. Any important objects should be drawn in the first box
in order that they can be used and understood in the subsequent boxes.
·
Use arrows and notes to show
any movement in the shot. This means that instead of using 5 shots to gradually
show movement happening, you can have one shot and use an arrow in the
direction of travel.
·
Sounds can be written below the
drawing along with sound effects as the storyboard is essentially a comic strip
of the music video.
·
A new frame must be made for
every significant action movement or new camera angle.
·
Notes should be made about
movements, sounds or special effects.
·
The camera should be angled to
ensure that the pictures are not 2D and flat.
·
The camera angle can be used to
portray the opinions on certain characters and their importance.
·
Establishing shots = can be
used to illustrate the set, location or start position of characters.
·
Full, Medium, Close, Extreme
Close: If you're showing a character, how much are you showing? Full (FS) shows
the whole body, Medium (MS) shows waist up, Close (CU) shows shoulders and
head, and Extreme Close Up (ECU) shoes only face.
·
Up Shot / Down Shot: Up Shots
look up at a character, while Down Shots look down from above. "Worm's
Eye" and "Bird's Eye" are the extreme versions of each.
·
Over the Shoulder (OTS): One of
your most important terms, these shots have one person or thing on the side of
the frame, back turned, while looking at another. Very common in conversations
between two people.
·
Two-shot: When both characters,
usually speaking to each other, are both in the frame at once. When drawing
dialogue, two-shots often alternate with OTS shots.
·
POV Shots Are simply when the
camera mimics the point of view of a character.
·
Include different camera
angles: "Tracking' is when the camera follows the action without cutting,
like following someone as they walk down the street. Use arrows to indicate
motion, and multiple frames if needed.
·
Pans are when the camera simply
rotates in one direction, often following a character as they move or exposing
something near them. Draw an arrow illustrating the camera's direction.
·
Trucks are when the camera
physically moves in or out. Imagine a shot of a TV, then the camera slowly
"trucking" back to reveal a family watching the TV in the living
room. Use 4 lines, pointing from the center of the screen out to the corners,
to show trucking.
·
Rack Focus is when you have a
blurry object in the background and a clear one in the foreground, then the
focus shifts from one to the other (it can go in reverse, too). Draw a line
indicating where the focus starts and where it moves to.
·
It is important to mention the
location of a subject in the box:
- · Foreground (FG): The area close up to the camera.
- Midground (MG): The center of the frame
- · Background (BG): The are furthest from the camera.
- · Off-screen (O/S): Helpful if there is a noise, dialogue, etc. that the viewers can't see, or if a character enters or exits the frame completely.
- · Overlay (OL): When one object or image is superimposed on another but both are visible.
- · Lastly, it is important to number the shots correctly in order to understand the order that each shot goes in.








